Blood Drives London
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Blood On The Clocktower
Sun, Sep 6, 1:00 PM**We're building a new community for people who love to play games: a shared love of tabletop RPGs, board games, hobby chat and good company.** We aim to create a warm, welcoming, and respectful group where people can relax, share interests, and enjoy gaming together. Led by neurodivergent people, we're neuro-affirming and LGBTQIA+-affirming. Join us for the first of what we hope will become a regular series of social deduction afternoons at the TSS. And we're kicking things off with Blood on the Clocktower. If you've played the likes of Mafia and Werewolf then you'll love sniffing out who the demon in the group is (unless it's you of course!). Places are limited due to the nature of the game so please book in advance - tickets are on sale now. **BLOOD ON THE CLOCK TOWER - £5** https://events.humanitix.com/blood-on-the-clocktower-kn3qqd4j/tickets **Practical Details:** Our building is not (yet) fully accessible, there are steps down to the toilets which are not suitable for wheelchair users or those who need assistance. There are no shops in the immediate vicinity - tea (including herbals), coffee, water available + crisps and biscuits but please bring food/snacks if you think you will need it! And please note that we are a nut-free venue.

Blood on the Clocktower @Three Crowns, Stoke Newington
Mon, Aug 24, 6:00 PM🩸 Blood on the Clocktower is a game of murder and mystery, packed with bold lies, sharp logic, and just enough chaos to keep everyone guessing. **Walk-ins are welcome.** **Please note that the event is NOT limited to 10 attendees.** We’ll be playing a Carousel Script: **Devout Theists.** For anyone new to the group, a quick note: being on the **waiting list** does not mean you can’t attend on the day. The event is currently capped at 10 people because the Meetup app limits attendance numbers on the free subscription plan. As always, our events are completely free, we don’t ask for donations or charge for attendance, but unfortunately the app restrictions mean we have to keep the listed capacity limited. 🧠 Beginner-friendly, queer-friendly, and neurodivergent-friendly. Want to know how it works? 🎥 Watch this intro video: [https://www.youtube.com/watch?v=M-aZP47Nm9g&t=58s](https://www.youtube.com/watch?v=M-aZP47Nm9g&t=58s) Want to see the chaos in action? 👀 Watch real games here: [https://www.youtube.com/watch?v=_Xhk7UmR9Qs&list=PLQBGXhGots83LIf1qY4Zg0Mp9qU1Kr2Hv](https://www.youtube.com/watch?v=_Xhk7UmR9Qs&list=PLQBGXhGots83LIf1qY4Zg0Mp9qU1Kr2Hv) Come for the mystery. Stay for the lies. Trust no one. 😈🕰️

Blood on the Clocktower
Sun, Sep 6, 4:00 PMOur resident storytellers Brett and Gwilym will be running Blood on the clocktower social deduction the first Sunday of every month at the hawkins forge pub. Limited to the first 25 sign ups, games may start without late comers.

Writing Group (LIVE at the All Good Bookshop)
Wed, Aug 26, 6:00 PMWe're the All Good Bookshop writing group - we've been around for 10 years now. We offer writing feedback and discussion, whatever your level. Never been before? That's fine. Can only come once in a while? That's fine. Want to come regularly? That's fine. While we're predominantly narrative-based, any type of writing is welcome. Fiction, non-fiction, screenplays, novels, short-stories... bring it along and see if it fits. The cost is £5 to join us. Half of this goes to the bookshop and the other half goes towards snacks/drinks for everyone. Pay when you get there. (If you're having any financial problems, feel free to have a discreet chat with Chris about it). HOW IT WORKS First, we do introductions, which cover: 1 - Who you are 2 - What kind of thing you write 3 - What you're working on 4 - What you've done in the last two weeks. Then we find out who has stuff to read out (1,000 - 2,000 words), and who has questions/discussion points. If you'd prefer to do written hand-outs, you can as well. We then run through as many people as we can fit in, so they can read out or run through a discussion point. The group is run by Chris Brosnahan, an experienced writer and a long-running facilitator of writing groups. HOUSE RULES 1 - No egos. Everyone's stuff is up for criticism/feedback. 2 - Be constructive. We're not a review group - we're trying to help each other improve. 3\. No pressure\. You can turn up and just observe if you want \- you're not under pressure to read out or feed back\. 4 - We do our best to be a safe space. You don't know the backgrounds of everyone in the room. If you're going to read something that might be problematic or emotionally difficult, talk about it first - and if you're unsure, ask. 5 - We do our best to be a safe space. For particularly graphic scenes, please discuss in advance. A reminder that listening to erotica is, in itself, a sex act, and needs the enthusiastic consent of everyone involved. 6 - Content warnings apply. This doesn't just mean things like sex or violence. It also includes things like abuse, long-term illness, death - think of things that someone may find difficult if they're dealing with at the moment. We do our best to be a safe space. 7 - If you're struggling with anything being read, you can take a break without any justification or questions. 8 - Banned question: "Is this based on your own life?" - it doesn't add anything and can make discussion awkward. Please don't ask it. 9 - Let other people talk. You'll get your chance to feedback or ask questions, but it can be all too easy to talk over people. You also don't need to respond to every piece of feedback. 10 - Keep it respectful. Keep it friendly. Any problems? Get in touch and ask.

Blood On The Clocktower at The Greene Man
Sat, Aug 29, 3:30 PMNew and Experienced Players Welcome! 🤗 Ever played Werewolf, Mafia or Secret Hitler? Well this game is like that but on steroids! 😈😇 Ever watched The Traitors and wished you could have a turn? Well now you can! Suitable for complete beginners, experienced veterans and everyone in between, we Play **'Blood on the Clocktower'** a game where you never know who you can trust... A great way to meet new people in a fun interactive way, at a bar serving food and drinks Continue reading for a general description of the game: Blood on the Clocktower is a bluffing game enjoyed by 5 to 20 players on opposing teams of Good and Evil, overseen by an experienced Storyteller. During a 'day' phase players socialize openly and whisper privately to trade knowledge or spread lies, culminating in a player's execution if a majority suspects them of being Evil. At 'night' time, players close their eyes and some are woken one at a time by the Storyteller to gather information, spread mischief, or kill. Use all your powers of deduction and deception to survive this game of murder and mystery. The game will be fully explained at the event. However if you'd like to learn more now watch: https://youtu.be/M-aZP47Nm9g?feature=shared

LEVITICUS (2026) + DRINKS @ VUE
Sat, Sep 5, 12:00 PMDetails on getting tickets for movie + pre drinks below. **PREMISE** In writer-director Adrian Chiarella’s indelible debut feature, queer desire is not only a danger to one’s safety from the bigots that you live, work and pray with, but it’s also a supernatural affliction. We first see teens Naim (Joe Bird) and Ryan (Stacy Clausen) as they engage in a clandestine hang, that familiar dance of a play-fight leading into a kiss. For Naim, it’s a new world opening up, a reason to believe there might be something to be happy about in an otherwise dull new town with his warm yet clueless single mother (Mia Wasikowska). But when Naim sees Ryan engaging in a similar tryst with Hunter (Jeremy Blewitt), the son of the local preacher, he allows his heart to overrule his head and does something he’ll live to regret. Once their secret is out in the open, Ryan and Hunter are forced into a conversion-therapy ritual, led by a mysterious outsider. The boys initially laugh it off, rolling their eyes at his hokum, but something takes ahold of them and once it’s over they realise they’ve been cursed. In the world of Leviticus, the threat looks exactly like the person you desire the most, your No 1 crush wanting to crush your head in. No one else can see it and it only comes to you when you’re alone but it will keep coming until you’re dead. It’s a crafty spin on an often lazily derivative sub-genre – what if your queer desire had a demonic manifestation – and speaks to a familiar deep-rooted fear. It’s not only about the self-destruction such feelings might bring, but also what horrors you might inflict on someone else as well. If the feeling is mutual, you know you’ll be the last face they’ll see before they die, a cruel tragedy warping love to hate. Like It Follows, which it owes a heavy debt to, it can also be viewed as a story about HIV/Aids and the devastation that can come from desire. This feeling might kill us both, but how can we deny it? It lends the film not only a piercing sadness but also a swell of giddy, against-all-odds romance (love might actually tear us apart, but what if it’s worth the risk?). It would be too easy and too of the moment to dwell in the grim trauma of the story but, when ears aren’t being sliced and heads aren’t being decapitated, Chiarella leans into the epic star-crossed swoon of the story. Visually, he’s as adept at capturing the chilly horror of isolation as he is at capturing the soft-hued buzz of togetherness. Bird and Clausen have a sweet first-love chemistry in their scenes together, eyes darting around to check for safety followed by the warm rush of relief when they realise they just might be OK (an illicit bus handjob is as terrifying as any of the nasty attacks). It also makes us root for their survival even if we fear that might not be possible. While Chiarella sets up a formula we know well, he also tries to subvert it. So yes, there might be a scene where the characters try and track down the conversion therapy “healer” but no, it doesn’t go how you expect. He also avoids obvious Bible-thumping horror stereotypes with his portrayal of the town’s religious community, realising there’s something far scarier about vile homophobia emerging from warmer, seemingly well-meaning folk such as Naim’s loving mother – a reliably excellent, if underused, Wasikowska – who is painted as more than just a Carrie’s mother in Carrie-level zealot. Even at a wonderfully concise 86 minutes, the last act runs out of steam a little (as a longtime fan of The Thing, even I got a tad tired of the familiar “No, it’s me!” repetition), but then Chiarella manages to stick the landing quite perfectly. It’s a bold and bittersweet endnote sold with the help of a soaring song choice from Frank Ocean, the kind of punchy last scene that has you insisting others make the next screening (at a festival where so many film-makers don’t know how or when to cut to credits, this counts for a lot). In many increasingly overcrowded fields – trauma horror, curse horror, gay horror, *Sundance horror* – Leviticus stands tall. (https://www.theguardian.com/film/2026/jan/24/leviticus-review) **TRAILER** https://www.youtube.com/watch?v=WXuK0vlFxII **CINEMA TICKETS** TBA **DRINKS** We can go for a drink before the movie at The Imperial. **SCHEDULE BREAKDOWN** TBA - Drinks at The Imperial, 5 Leicester St, London WC2H 7BL TBA - film at Vue Cinema London - West End (Leicester Square) - 3 Cranbourn St, London WC2H 7AL
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