About us
"Wisdom and Woe" is a philosophy and literature discussion group dedicated to exploring the world, work, life, and times of Herman Melville and the 19th century Romantic movement. We will read and discuss topics related to:
- Works of Herman Melville: Moby-Dick, Clarel, Bartleby the Scrivener, Billy Budd, The Confidence-Man, Mardi, reviews, correspondence, etc.
- Themes and affinities: whales, cannibals, shipwrecks, theodicy, narcissism, exile, freedom, slavery, redemption, democracy, law, orientalism, Zoroastrianism, Gnosticism, psychology, mythology, etc.
- Influences and sources: the Bible, Shakespeare, Hawthorne, Milton, Cervantes, Dante, Emerson, Kant, Plato, Romanticism, Stoicism, etc.
- Legacy and impact: adaptations, derivations, artworks, analysis, criticism, etc.
- And more
The group is free and open to anybody with an interest in learning and growing by "diving deeper" (as Hawthorne once said of his conversations with Melville) into "time and eternity, things of this world and of the next, and books, and publishers, and all possible and impossible matters."
Regarding the name of the group:
"There is a wisdom that is woe; but there is a woe that is madness. And there is a Catskill eagle in some souls that can alike dive down into the blackest gorges, and soar out of them again and become invisible in the sunny spaces."
(Moby-Dick, 96)
"Though wisdom be wedded to woe, though the way thereto is by tears, yet all ends in a shout." (Mardi, 2.79)
"The intensest light of reason and revelation combined, can not shed such blazonings upon the deeper truths in man, as will sometimes proceed from his own profoundest gloom. Utter darkness is then his light.... Wherefore is it, that not to know Gloom and Grief is not to know aught that an heroic man should learn?" (Pierre, 9.3)
"The heart of the wise is in the house of mourning; but the heart of fools is in the house of mirth." (Ecclesiastes 7:4)
Featured event
![[Series] Circuses and Snake Oil](https://secure.meetupstatic.com/photos/event/d/b/9/4/highres_522356212.jpeg)
[Series] Circuses and Snake Oil
NOTE: This page is intended as a thematic overview of the meetups in the series, but is not itself a meetup. To RSVP, please see the individual events as they are announced on the Wisdom and Woe calendar. This page will be updated regularly to reflect changes to the schedule.
Every day, we need to differentiate truth from lies--whether in the news, commercials, or conversation with friends--while hoaxes and hyperbole confound fantasy and reality in all areas of human endeavor. The field of medicine is particularly susceptible to exploitation, contending among theories natural, supernatural, and artificial; where the stakes are life and death, qualitative and quantitative; and an oft-tenuous orthodoxy staggers the line between knowledge and misinformation. In the 19th century, the showy peddlers of traveling medicine shows and traveling circuses were virtually indistinguishable.
And while Melville is best known for his writings on the hunters of whale oil, unduly neglected are his writings on the sellers of snake oil. In fact, Moby-Dick itself opens (and re-opens) with an image of disease, and acknowledges whale oil's medicinal history. It goes on to warn that the entire world (including "you, reader") is prey to usurpation and "fish stories" of all kinds, alleging "tricks of the stage" by sailors, preachers, prophets, and Fate itself. And Ishmael's "soul searching" is both figurative and literal--meditative and medical, psychological and Cetological--where the "objectifying gaze" of the anatomical (whale) theater mingles with deep introspection; while aboard the Pequod, notions of physical and mental health tumble topsy-turvy.
In a world abounding in con-men, carnival barkers, forgers, fraudsters, hoaxers, humbugs, quacks, and chameleons--with motivations fiscal, fanatical, and farcical--where truth sometimes "requires full as much bolstering as error"--this series asks: what can we know and who can we trust? How to heal body, mind, soul, and "madness maddened?"
Schedule:
- Freud and Philosophy - Paul Ricœur - 6/28
- The Melancholy of Resistance - László Krasznahorkai - 7/5, 7/12, 7/19
- [Movie] Werckmeister Harmonies - 7/26
- The Anatomy of Melancholy - Robert Burton - 8/2
- Hamlet - Shakespeare - 8/9
- Bartleby, the Scrivener - Herman Melville - 8/16
- Genoa: A Telling of Wonders - Paul Metcalf - 8/23, 8/30
- [Movie] Freaks - 9/6
- Chang and Eng - Darin Strauss - 9/13
- Religio Medici - Sir Thomas Browne - 9/20
- A Journal of the Plague Year - Daniel Defoe - 9/27, 10/4, 10/11
- The Stark Munro Letters - Sir Arthur Conan Doyle - 10/18, 10/25
- Tales of the Medical Abyss - Edgar Allan Poe - 11/1
- The Adventures of Roderick Random - Tobias Smollett - 11/8, 11/15, 11/29
- [Movie] The Enigma of Kaspar Hauser - 11/22
- The Sorrows of Young Werther - Goethe - 12/6
- Misery and Madness - Herman Melville - 12/13, 12/20
- Hydropathy; Or, The Cold Water Cure - R. T. Claridge - 12/27
- Elsie Venner - Oliver Wendell Holmes, Sr. - 1/3, 1/10, 1/17
- House Calls - Herman Melville - 1/24
- [Movie] Powder - 1/31
- Something Wicked This Way Comes - Ray Bradbury - 2/7
- [Movie] Take Shelter - 2/14
- The Covenant of Water - Abraham Verghese - 2/21, 2/28, 3/14, 3/28
- [Movie] The Road to Wellville - 3/7
- [Movie] The Elephant Man - 3/21
- The Confidence-Man - Herman Melville - 4/4, 4/11, 4/18
- The Illustrated Man - Ray Bradbury - 4/25, 5/2
- Doctor Dogbody's Leg - James Hall - 5/9, 5/16
- Phenomenology of Perception - Merleau-Ponty - 5/23
- The Autobiography of a Quack and the Case of George Dedlow - S. Weir Mitchell - 5/27 [Thu]
- The Yellow Wallpaper - Charlotte Perkins Gilman - 5/30
- Lincoln's Melancholy - Joshua Shenk - 6/6
- [Movie] Embrace of the Serpent - 6/13
- The River of Doubt: Theodore Roosevelt's Darkest Journey - Candice Millard - 6/20
- [Movie] The Mad Whale - 6/27
- Hard Cash - Charles Reade - 7/4, 7/18, 7/25, 8/1
- [Movie] Suddenly, Last Summer - 7/11
- On the Nonexistence of Monomania - Jean-Pierre Falret - 8/5 [Thu]
- Ten Days in a Mad-House - Nellie Bly - 8/8
- Organon of the Medical Art - Samuel Hahnemann - 8/15
- Moby-Dick - Herman Melville - 8/22, 8/29, 9/5, 9/12, 9/19, 9/26, 10/3, 10/10, 10/17
- [Movie] Moby Dick - 10/24
- The Circus of Dr. Lao - Charles G. Finney - 10/31
- [Movie] Wings of Desire - 11/7
- The Confessions - Saint Augustine - 11/14
- Confessions of an English Opium-Eater - De Quincy - 11/21
- The Sickness Unto Death - Kierkegaard - 11/28, 12/5
- The Death of Ivan Ilyich - Leo Tolstoy - 12/9 [Thu]
- Lunar Caustic - Malcolm Lowry - 12/12
- Notes from the Underground - Dostoevsky - 12/19
- The Genealogy of Morals - Nietzsche - 12/26
- [Movie] Persona - 1/2
- The Varieties of Religious Experience - William James - 1/9
- Asylums - Erving Goffman - 1/16, 1/23
- [Movie] Bartleby - 1/30
- Madness and Civilization - Foucault - 2/6
- Nights at the Circus - Angela Carter - 2/13, 2/20, 2/27
- Middlemarch - George Eliot - 3/5, 3/12, 3/19, 3/26, 4/2, 4/9, 4/16, 4/23
- [Movie] The Book of Vision - x1
- [Movie] A Hidden Life - x1
- Maladies of the Will - Jennifer L. Fleissner - x1
- Barnum's Own Story - P. T. Barnum - x1
- Human Circus - Herman Melville - x1
- The Apostles - Herman Melville - x1
- [Movie] A Cure for Wellness - x1
- The Devil in the White City - Erik Larson - x2?
- American Chamber of Horrors - Ruth deForest Lamb - x1
- The Magic Mountain - Thomas Mann - x8
- The Whalebone Theater - Joanna Quinn - x3
- [Movie] Hamlet - x1
- [Movie] Fanny and Alexander - x1
- The Plague - Camus - x2
Extracts:
- "Begone! You are all alike. The name of doctor, the dream of helper, condemns you. For years I have been but a gallipot for you experimentizers to rinse your experiments into, and now, in this livid skin, partake of the nature of my contents. Begone! I hate ye." (The Confidence-Man, 16)
- "But he who dodges hospitals and jails, and walks fast crossing graveyards... not that man is fitted to sit down on tomb-stones, and break the green damp mould with unfathomably wondrous Solomon." (Moby-Dick, 96)
- "What are the Rights of Man and the Liberties of the World but Loose-Fish? What all men’s minds and opinions but Loose-Fish? What is the principle of religious belief in them but a Loose-Fish? What to the ostentatious smuggling verbalists are the thoughts of thinkers but Loose-Fish? What is the great globe itself but a Loose-Fish? And what are you, reader, but a Loose-Fish and a Fast-Fish, too?" (Moby-Dick, 89)
- "... so much trash belonging to the worst school of Bedlam literature..." (1851 review of Moby-Dick)
Upcoming events
6

Chang and Eng - Darin Strauss
·OnlineOnlineChang and Eng Bunker (1811-1874), conjoined at birth in Siam, were the original "Siamese twins." After growing up and meeting the King, they moved to America, gained fame as a circus act, married sisters, and fathered 21 children.
Chang and Eng is a historical novel based on their unique lives. Narrated by the more bookish twin, Eng, it blends fact and fiction to explore their public careers and private lives. The novel gives a poignant, human voice to their legendary story, exploring themes of identity and individuality, the nature of the self, the complexities of intimacy and human relationships, and the exploitation of difference and "otherness."
Chang and Eng (Darin Strauss, 2000) was named a "Best Book of the Year" by both the Los Angeles Times and Newsweek. For his other work, author Darin Strauss has also received the National Book Critics Circle Award and a nomination for the Joyce Carol Oates Literary Prize.
Chang and Eng:
Supplemental:
- Circus Stories podcast
- Those Extraordinary Twins by Mark Twain
- The Siamese Twins by Edward Bulwer-Lytton
Extracts:
- "Now envy and antipathy, passions irreconcilable in reason, nevertheless in fact may spring conjoined like Chang and Eng in one birth. Is Envy then such a monster?" (Billy Budd, 12)
- "’Tis side-by-side entwined in ease / Of Chang and Eng the Siamese / When leaning mutually embraced; / And so these improvised twin brothers Dance forward and salute the others" (Clarel, 3.13)
- "It seemed more an intestine feud, than a fight between strangers. Or, rather, it was as if the Siamese Twins, oblivious of their fraternal bond, should rage in unnatural fight." (Israel Potter, 19)
- "Every fine evening, about sunset, these two, the cook and steward, used to sit on the little shelf in the cook-house, leaning up against each other like the Siamese twins, to keep from falling off..." (Redburn, 17)
- "... the two stood together; the old miser leaning against the herb-doctor with something of that air of trustful fraternity with which, when standing, the less strong of the Siamese twins habitually leans against the other." (Confidence-Man, 21)
- "So, then, an elongated Siamese ligature united us.... I saw that this situation of mine was the precise situation of every mortal that breathes; only, in most cases, he, one way or other, has this Siamese connexion with a plurality of other mortals." (Moby-Dick, 72)
- "At variance in their revery move / The spleen of nature and her love: / At variance, yet entangled too— / Like wrestlers." (Clarel, 3.5)
- "O city yonder, / Exposed in penalty and wonder, / Again thou seest me! Hither I / Still drawn am by the guilty tie / Between us; all the load I bear / Only thou know’st, for thou dost share. / As round my heart the phantoms throng / Of tribe and era perished long, / So thou art haunted, sister in wrong!" (Clarel, 3.19)
- "... the mere fact of there being twins always seemed curious; in fact, to me at least, all twins are prodigies; and still I hardly know why this should be; for all of us in our own persons furnish numerous examples of the same phenomenon. Are not our thumbs twins? A regular Castor and Pollux? And all of our fingers? Are not our arms, hands, legs, feet, eyes, ears, all twins; born at one birth, and as much alike as they possibly can be? Can it be, that the Greek grammarians invented their dual number for the particular benefit of twins?" (Redburn, 53)
This meetup is part of the series Circuses and Snake Oil.
13 attendees
Religio Medici - Sir Thomas Browne
·OnlineOnlineSir Thomas Browne (1605-1682) was a physician, author, and prolific stylist of the English language, coining such neologisms as "medical," "hallucination," "ambidextrous," "computer," and "suicide." He has been called "the great English literary eccentric, but also a true philosopher, driven by curiosity about absolutely everything." His work is noted for its weird and wonderful erudition, its deep, idiosyncratic introspection, and its skepticism of popular myths.
Religio Medici (The Religion of a Doctor, 1643) is his confessional and contemplative spiritual testament. In it, Browne explores the relation between his medical profession and his profession of faith, pondering the respective claims of science and religion. Although he argues for personal charity, intellectual humility, and irenic devotion, in the zealous 17th-century climate in which he wrote, his book attracted a Papal ban.
Like most physicians of his era, Browne's medical practice was rooted in humoralism, the ancient idea that disease was caused by an imbalance of four vital fluids, or "humors." But he was also critically engaged with Paracelsus, the "Luther of Medicine" who radically challenged these ideas.
The book was a European best-seller, influencing later writers like Samuel Taylor Coleridge, Virginia Woolf, and Carl Jung. Richard Dean Smith describes Browne's "ornately crafted accomplishments in... quirkily intellectual prose" wrestling "mightily in his attempts to reconcile scientific with humanistic thinking. Contemporaneous reviewers were quick to point out resemblances to Browne's productions in Melville's books... especially those in Mardi and Moby-Dick."
Religio Medici:
- Kindle
- Google books
- Gutenberg
- Librivox 5h 25m
Extracts:
- "By the way Melville reads Old Books. He has borrowed Sir Thomas Browne of me and says finely of the speculations of the Religio Medici that Browne is a kind of 'crack’d Archangel.' Was ever anything of this sort said before by a sailor?" (letter by Evert Duyckinck, 18 March 1848)
This meetup is part of the series Circuses and Snake Oil.
20 attendees
A Journal of the Plague Year - Daniel Defoe (week 1)
·OnlineOnlineA Journal of the Plague Year (1722) is a harrowing chronicle of the Great Plague of London in 1665. Based on Daniel Defoe's own childhood memories and prodigious research, it thrusts the reader into the heart of an epidemic estimated to have claimed nearly a quarter of the city's population.
The narrator, known only as "H.F.", decides (along with the many who cannot afford to flee) to trust in God and stay in the city. He not only endures the daily horror, but he reports on it in meticulous and unsentimental detail: death-carts, mass burials, forced quarantines, gruesome medical procedures, panicked chaos, and eerie silence.
Walking the line between history, fiction, and practical handbook, it remains perhaps the greatest account of a natural disaster ever written. It is a masterpiece of visceral storytelling, exploring the psychology of fear, hysteria, and isolation; the struggle between science and superstition; and a portrait of human nature at its best and worst.
Schedule:
- Week 1 (Sept 27): Kindle pages 1-76 (Librivox Parts 1-8)
- Week 2 (Oct 4): Kindle pages 76-134 (Librivox Parts 9-16) starting "I could not perceive that my discourse made much impression..."
- Week 3 (Oct 11): Kindle pages 134-201 (Librivox Parts 17-25) starting "This running of distempered people about the streets was very dismal..."
A Journal of the Plague Year:
Supplemental:
- Backlisted podcast
- Great Books lecture by Jim McWard
- The Weird Circle 1944 radio adaptation
- BBC Radio 2016 radio adaptation
- Theme Wheel
- Discussion by Vollrath Publishing
Extracts:
- "She was like the great fire of London, breaking out on the heel of the great Plague." (Israel Potter, 19)
- "Still, relatively to the pale history of the voyage, and his own pale face, there seemed something so incongruous in the Spaniard’s apparel, as almost to suggest the image of an invalid courtier tottering about London streets in the time of the plague." ("Benito Cereno")
- "I say this continual smoking must have been one cause, at least, of his peculiar disposition; for every one knows that this earthly air, whether ashore or afloat, is terribly infected with the nameless miseries of the numberless mortals who have died exhaling it; and as in time of the cholera, some people go about with a camphorated handkerchief to their mouths; so, likewise, against all mortal tribulations, Stubb’s tobacco smoke might have operated as a sort of disinfecting agent." (Moby-Dick, 27)
- "Some thinking they would catch the plague, dipped oakum in coal-tar, and at intervals held it to their nostrils. Others having broken the stems of their pipes almost short off at the bowl, were vigorously puffing tobacco-smoke, so that it constantly filled their olfactories." (Moby-Dick, 91)
- "This day we buried three; the next day one, and then the pestilence left us, with seven convalescent..." (Redburn, 58)
- "It visited them like a plague, sweeping them off by hundreds." (Typee, 26)
- "We die by land, and die by sea; we die by earthquakes, famines, plagues, and wars; by fevers, agues; woe, or mirth excessive. This mortal air is one wide pestilence, that kills us all at last." (Mardi, 2.74)
- "He would tell of lying in Batavia during a fever, when his ship lost a man every few days, and how they went reeling ashore with the body, and got still more intoxicated by way of precaution against the plague." (Redburn, 7)
- "There seems to be no calamity overtaking man, that can not be rendered merchantable. Undertakers, sextons, tomb-makers, and hearse-drivers, get their living from the dead; and in times of plague most thrive. And these miserable old men and women hunted after corpses to keep from going to the church-yard themselves; for they were the most wretched of starvelings." (Redburn, 36)
- "... in some of these ships... the emigrant passengers are cut off from the most indispensable conveniences of a civilized dwelling. This forces them in storm time to such extremities, that no wonder fevers and plagues are the result. We had not been at sea one week, when to hold your head down the fore hatchway was like holding it down a suddenly opened cesspool." (Redburn, 47)
- "You see no plague-ship driving through a stormy sea; you hear no groans of despair; you see no corpses thrown over the bulwarks; you mark not the wringing hands and torn hair of widows and orphans:—all is a blank. And one of these blanks I have but filled up, in recounting the details of the Highlander’s calamity." (Redburn, 58)
- "... the archangel cared little or nothing for the captain and mates; and since the epidemic had broken out, he carried a higher hand than ever; declaring that the plague, as he called it, was at his sole command" (Moby-Dick, 71)
- "... a malignant fever followed the scurvy; with the excessive heat of the lengthened calm, making such short work of it as to sweep away, as by billows, whole families of the Africans, and a yet larger number, proportionably, of the Spaniards, including, by a luckless fatality, every remaining officer on board." ("Benito Cereno")
- "... do you think that because you can strike a bit of green light from the Leyden jar, that you can thoroughly avert the supernal bolt? Your rod rusts, or breaks, and where are you? Who has empowered you, you Tetzel, to peddle round your indulgences from divine ordinations? The hairs of our heads are numbered, and the days of our lives. In thunder as in sunshine, I stand at ease in the hands of my God. False negotiator, away!" ("The Lightning-Rod Man")
- "For spite the sky there, always blue, / And blue daubed seas so bland, the pest / Was breaking out—the people quailing / In houses hushed; from Egypt sailing, / In ship, I say, which shunned the pest.... I say there fell to her unblest / A hap more baleful than the pest." (Clarel, 3.12)
- "... forever exempt from wearing on his hands those treacherous plague-spots of indigence—videlicet, blots from the inkstand" (Pierre, 18.2)
This meetup is part of the series Circuses and Snake Oil.
19 attendees
A Journal of the Plague Year - Daniel Defoe (week 2)
·OnlineOnlineA Journal of the Plague Year (1722) is a harrowing chronicle of the Great Plague of London in 1665. Based on Daniel Defoe's own childhood memories and prodigious research, it thrusts the reader into the heart of an epidemic estimated to have claimed nearly a quarter of the city's population.
The narrator, known only as "H.F.", decides (along with the many who cannot afford to flee) to trust in God and stay in the city. He not only endures the daily horror, but he reports on it in meticulous and unsentimental detail: death-carts, mass burials, forced quarantines, gruesome medical procedures, panicked chaos, and eerie silence.
Walking the line between history, fiction, and practical handbook, it remains perhaps the greatest account of a natural disaster ever written. It is a masterpiece of visceral storytelling, exploring the psychology of fear, hysteria, and isolation; the struggle between science and superstition; and a portrait of human nature at its best and worst.
Schedule:
- Week 1 (Sept 27): Kindle pages 1-76 (Librivox Parts 1-8)
- Week 2 (Oct 4): Kindle pages 76-134 (Librivox Parts 9-16) starting "I could not perceive that my discourse made much impression..."
- Week 3 (Oct 11): Kindle pages 134-201 (Librivox Parts 17-25) starting "This running of distempered people about the streets was very dismal..."
A Journal of the Plague Year:
Supplemental:
- Backlisted podcast
- Great Books lecture by Jim McWard
- The Weird Circle 1944 radio adaptation
- BBC Radio 2016 radio adaptation
- Theme Wheel
- Discussion by Vollrath Publishing
Extracts:
- "She was like the great fire of London, breaking out on the heel of the great Plague." (Israel Potter, 19)
- "Still, relatively to the pale history of the voyage, and his own pale face, there seemed something so incongruous in the Spaniard’s apparel, as almost to suggest the image of an invalid courtier tottering about London streets in the time of the plague." ("Benito Cereno")
- "I say this continual smoking must have been one cause, at least, of his peculiar disposition; for every one knows that this earthly air, whether ashore or afloat, is terribly infected with the nameless miseries of the numberless mortals who have died exhaling it; and as in time of the cholera, some people go about with a camphorated handkerchief to their mouths; so, likewise, against all mortal tribulations, Stubb’s tobacco smoke might have operated as a sort of disinfecting agent." (Moby-Dick, 27)
- "Some thinking they would catch the plague, dipped oakum in coal-tar, and at intervals held it to their nostrils. Others having broken the stems of their pipes almost short off at the bowl, were vigorously puffing tobacco-smoke, so that it constantly filled their olfactories." (Moby-Dick, 91)
- "This day we buried three; the next day one, and then the pestilence left us, with seven convalescent..." (Redburn, 58)
- "It visited them like a plague, sweeping them off by hundreds." (Typee, 26)
- "We die by land, and die by sea; we die by earthquakes, famines, plagues, and wars; by fevers, agues; woe, or mirth excessive. This mortal air is one wide pestilence, that kills us all at last." (Mardi, 2.74)
- "He would tell of lying in Batavia during a fever, when his ship lost a man every few days, and how they went reeling ashore with the body, and got still more intoxicated by way of precaution against the plague." (Redburn, 7)
- "There seems to be no calamity overtaking man, that can not be rendered merchantable. Undertakers, sextons, tomb-makers, and hearse-drivers, get their living from the dead; and in times of plague most thrive. And these miserable old men and women hunted after corpses to keep from going to the church-yard themselves; for they were the most wretched of starvelings." (Redburn, 36)
- "... in some of these ships... the emigrant passengers are cut off from the most indispensable conveniences of a civilized dwelling. This forces them in storm time to such extremities, that no wonder fevers and plagues are the result. We had not been at sea one week, when to hold your head down the fore hatchway was like holding it down a suddenly opened cesspool." (Redburn, 47)
- "You see no plague-ship driving through a stormy sea; you hear no groans of despair; you see no corpses thrown over the bulwarks; you mark not the wringing hands and torn hair of widows and orphans:—all is a blank. And one of these blanks I have but filled up, in recounting the details of the Highlander’s calamity." (Redburn, 58)
- "... the archangel cared little or nothing for the captain and mates; and since the epidemic had broken out, he carried a higher hand than ever; declaring that the plague, as he called it, was at his sole command" (Moby-Dick, 71)
- "... a malignant fever followed the scurvy; with the excessive heat of the lengthened calm, making such short work of it as to sweep away, as by billows, whole families of the Africans, and a yet larger number, proportionably, of the Spaniards, including, by a luckless fatality, every remaining officer on board." ("Benito Cereno")
- "... do you think that because you can strike a bit of green light from the Leyden jar, that you can thoroughly avert the supernal bolt? Your rod rusts, or breaks, and where are you? Who has empowered you, you Tetzel, to peddle round your indulgences from divine ordinations? The hairs of our heads are numbered, and the days of our lives. In thunder as in sunshine, I stand at ease in the hands of my God. False negotiator, away!" ("The Lightning-Rod Man")
- "For spite the sky there, always blue, / And blue daubed seas so bland, the pest / Was breaking out—the people quailing / In houses hushed; from Egypt sailing, / In ship, I say, which shunned the pest.... I say there fell to her unblest / A hap more baleful than the pest." (Clarel, 3.12)
- "... forever exempt from wearing on his hands those treacherous plague-spots of indigence—videlicet, blots from the inkstand" (Pierre, 18.2)
This meetup is part of the series Circuses and Snake Oil.
7 attendees
Past events
410

![[Movie] Freaks](https://secure.meetupstatic.com/photos/event/a/2/6/2/highres_534941570.jpeg)
