Philosophers & Gamblers

This critique group is kept private to preserve the privacy of critique submissions. Most don't RSVP on Meetup.

To join, please email Erik at tigurini@protonmail.com and include in your message: (1) A description of your current writing project(s), (2) Your goals for joining this writer's critique group, (3) And a brief history of yourself as a writer, including past projects, education, and related. Your message doesn't have to be anything fancy. We just wish to make sure that you're serious about observing and that your intentions/projects are a good fit for this critique group.

About:
As the title suggests, we critique writing that is speculative (sci-fi, fantasy, horror, surrealism, slipstream, etc.), philosophical (idea-driven, writing with a message, etc.), and experimental (unusual language, visual/musical aspects, transgressive, etc.). All writing submitted for critique should fit at least one of these categories. We are happy to include work in all formats (poetry, prose, playwriting, screenplay, libretto, graphic novel, and hybrid) and for any audiences (adults, YA, and kids).

Some Example Works:
Of course, the written works and authors that inspire us may vary, and widely. Nonetheless, here's a list of some written works and authors that have inspired us, and which we might use as an (incomplete) list of the kind of writing that could be submitted to this critique group.
One Hundred Years of Solitude, Gabriel Garcia Marquez; Ice, Anna Kavan; Blade Runner, Philip K. Dick; The Waves, Virginia Woolf; The Fire Next Time, James Baldwin; The Street of Crocodiles, Bruno Shulz; Stories of Your Life, Ted Chiang; The Faerie Queene, Edmund Spenser; The Book of Disquiet, Fernando Pessoa; The Dreamquest of Unknown Kadath, H. P. Lovecraft; Don't Bite The Sun, Tanith Lee; Illuminations, Arthur Rimbaud; The Rings of Saturn, W. G. Sebald; The Three Body Problem, Liu Cixin; Moby Dick, Herman Melville; Kindred, Octavia E Butler; The Handmaid's Tale, Margaret Atwood; The Divine Comedy, Dante; The Last Unicorn, Peter S. Beagle; A Doll's House, Henrik Ibsen; Les Fleurs du Mal, Charles Baudelaire; Blindsight, Peter Watts; The Left Hand of Darkness, Ursula K. Leguin; Sweat, Lynn Nottage; The Song of Maldoror, Comte de Lautremont; Solaris, Stanislaw Lem; Blood Meridian, Cormac McCarthy; Dune, Frank Herbert; Star Maker, Olaf Stapledon.

Critique Group Structure:

• Meets weekly Thursdays from 6:00pm-7:30pm PT / 9:00pm-10:30pm ET
• Submission length maximum: 20,000 words (many submissions are shorter).
• Back-to-back weekly submissions for novelists + long form writers are encouraged.
• Participants are expected to closely read the submission and arrive prepared to discuss it in depth for 1.5 hours.
• If, for whatever reason, a participant can't read the submission in time for our meeting and/or can't attend our meeting, that participant is urged to provide a written (or audio recorded) summary of feedback to the submitting writer through DM on our Discord.
• Active participation is required to ensure all members' best interests. A member can be removed from the group if found absent in critique sessions for more than 3 months. Should one wish to rejoin the group, please message me directly either in Discord or via email.

Community:
We're a serious yet fun group of writers with eclectic projects and tastes. We're always looking to meet new friends and grow our community, so we hope you'll consider observing a critique group - and if we're a good fit for one another, continuing to hang out with us Thursday evenings!

We meet on the Blinding Cyclops Discord server. Join link: https://discord.gg/urPBsNTWuK

You can read our full syllabus under the category "Writer's Critique Groups." The rest of the writer's critique group channels are kept hidden to preserve the privacy of critique submissions, but will be opened up to you when your observation has been confirmed.

Commitments:
This critique group's structure expects a weekly attendance commitment, so it's only right for writers who are committed to writing and critiquing.

We will look at the idea of how Inner Engineering isn’t a practice in the usual sense. It is a consecration. Like caring for a sacred space, the work is only to keep things clean. You do not create the sacred. You remove what blocks it. The task is simple. Clear the mind. Clean the emotional atmosphere. Remove habits that disturb inner balance.

The session will contrast effort based self improvement with presence based transformation. We will examine why people return to worry and misery even after deep experiences of joy or clarity. Many are invested in what they call normal life. Peace and joy feel unfamiliar, even threatening. So they turn back.

We will also explore the idea of becoming a walking temple. A person who is steady and open does not need to explain or persuade. Their presence alone affects others. Family, coworkers, even the space around them responds.
This meetup is not about belief, discipline, or achievement. It is about responsibility for your inner atmosphere. When the inner space is clear, life responds. No effort is needed beyond daily cleaning.

One of the DYL organizers has first hand experience in with The discussion will connect these ideas to daily life, relationships, and leadership.

Sources
The Essence of Inner Engineering - Sadhguru
https://www.youtube.com/watch?v=lThniymm2S4

Questions to think about
Where do peace or joy feel unfamiliar or out of place in your life?
What would shift if you focused on clearing your inner space rather than fixing yourself?
When others encounter you, what do they sense before you speak?