About us
We meet at the Draught house English pub and imbibe some beer and food while discussing history.
Titles range from more rigorous and scholarly works to lighter, more journalistic writing. Genres tend to include foreign policy, history, culture, science, politics, and area studies (e.g. The Middle East, Europe, South Asia, etc.) See our "Past Reads" page for titles.
Note to avoid scams: We will never contact you asking for money to read or review your book. If you have received an email claiming to be from us, please be aware that this is a scam. Please report it to your email provider.
Upcoming events
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Paris in Ruins: Love, War, and the Birth of Impressionism
Draught House Pub & Brewery, 4112 Medical Pkwy, Austin, TX, USJoin us over food and drinks to discuss the book, “Paris in Ruins: Love, War, and the Birth of Impressionism.”
Description of book:
From the summer of 1870 to the spring of 1871, famously dubbed the “Terrible Year” by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans―then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born―in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience―reflected in Impressionism’s emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things―became the movement’s great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism. Incisive and absorbing, Paris in Ruins captures the shifting passions and politics of the art world, revealing how the pressures of the siege and the chaos of the Commune had a profound impact on modern art, and how artistic genius can emerge from darkness and catastrophe.
A New York Times Book Review Editors' Choice • A Washington Post Notable Nonfiction Book of 2024 • A Kirkus Reviews Best Book of 2024 • One of The Boston Globe's “20 Books We Can’t Wait to Read This Fall” • A Next Big Idea Club “Must-Read Book for September 2024”
The Pulitzer Prize–winning art critic’s gripping account of the “Terrible Year” in Paris and its monumental impact on the rise of Impressionism.
Lecture with author:
https://www.youtube.com/watch?v=cPUe1CqCA8k
https://www.youtube.com/watch?v=cOI2BHYnC2k
Look for the group with lights and a sign.12 attendees
Past events
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